Shemekia Copeland To Perform From The United Nations General Assembly Hall To Celebrate International Jazz Day On April 30, 2022
Copeland Joins Jazz Giants Marcus Miller, Mark Whitfield And Others
For One-Of-A-Kind Performance To Stream Worldwide
|Celebrated blues and roots singer and Alligator Records recording artist Shemekia Copeland, backed by jazz giants Marcus Miller, Mark Whitfield, Brian Blade, Leonard Brown and John Beasley, will perform two songs as part of the Global Concert for International Jazz Day to be broadcast on April 30, 2022. Copeland, singing from the United Nations General Assembly Hall, will perform Walk Until I Ride, from her Grammy-nominated 2020 album Uncivil War, and Ain’t Got Time For Hate from 2018’s groundbreaking America’s Child. The concert, featuring artists from around the globe, will stream to a worldwide audience via UNTV, UNESCO, US State Department, on Facebook and on YouTube. The event will be broadcast on PBS Television in 2023.|
The 2022 Global Concert will take place at United Nations Headquarters in New York and is scheduled to worldwide webcast at 5:00pm Easter time. With Herbie Hancock serving as host and Artistic Director and John Beasley as Musical Director, the program is set to showcase the extraordinary potential of jazz as a medium for peaceful collaboration and constructive dialogue. Participating artists will include vocalists Shemekia Copeland, José James, Youn Sun Nah (Republic of Korea), Gregory Porter, Alune Wade (Senegal) and Lizz Wright; pianists Joey Alexander (Indonesia), Helio Alves (Brazil), Laurent de Wilde (France), Hiromi (Japan), Ray Lema (Democratic Republic of Congo), and Tarek Yamani (Lebanon); drummers Terri Lyne Carrington and Brian Blade; bassists James Genus, Marcus Miller and Linda May Han Oh (Australia); saxophonists Ravi Coltrane, David Sanborn and Erena Terakubo (Japan); guitarist Mark Whitfield and trumpeters Randy Brecker and Jeremy Pelt, among others. Also joining the global ensemble will be harmonicist Grégoire Maret (Switzerland), harpist Edmar Castañeda (Colombia), percussionist Pedrito Martínez(Cuba) and clarinetist Kinan Azmeh (Syria).
According to Copeland, “Blues played an enormously big part in the creation of jazz from the beginning. I’m just happy that my blues gets to play a small part in celebrating International Jazz Day. And I am personally jazzed to be doing it at the UN.”
When Copeland first broke on the scene in 1998 with her Alligator Records debut Turn The Heat Up, she instantly became a blues and R&B force to be reckoned with. With each subsequent release, her music has evolved. She continues to broaden her musical vision, melding blues with more rootsy, Americana sounds, and singing about the world around her, shining light in dark places with confidence and well-timed humor.
In addition to her Grammy Award nomination (her fourth), Copeland’s groundbreaking 2020 release Uncivil War was named the 2020 Blues Album Of The Year by both DownBeat and MOJO magazines. Copeland received three 2020 Blues Music Awards, including the B.B. King Entertainer Of The Year and Contemporary Blues Album Of The Year for Uncivil War. Additionally, she won both Living Blues magazine’s Critics’ and Readers’ Awards for Album Of The Year and Blues Artist Of The Year (Female). Internationally, she won the UK Blues Award for International Blues Artist Of The Year.
Since the release of Uncivil War, Copeland’s profile has continued to grow. She was the subject of a Washington Post Sunday magazine story and appeared on both NPR’s Weekend Edition and Here And Now. She has previously performed on PBS’s Austin City Limits and was the subject of a six-minute feature on the PBS News Hour. And NPR’s Jazz Night In America aired an hour-long program featuring interviews with Copeland and others, along with music recorded at Dizzy’s Club in New York City and at the 2021 Exit Zero Jazz Festival. Currently, Copeland can be heard hosting her own popular daily blues radio show on SiriusXM’s Bluesville.
The Chicago Tribune’s famed jazz critic Howard Reich says, “Shemekia Copeland is the greatest female blues vocalist working today. She pushes the genre forward, confronting racism, hate, xenophobia and other perils of our time. Regardless of subject matter, though, there’s no mistaking the majesty of Copeland’s instrument, nor the ferocity of her delivery. In effect, Copeland reaffirms the relevance of the blues.”
CONTACT: Marc Lipkin / Alligator Records / 773-973-7736 x235
For Media Assets (photos, bio, credits, album art) click here
There’s an unrelenting power to Shemekia Copeland’s performance on her tenth album; her rich, grainy vocals, sitting midpoint between Ruth Brown and Mavis Staples have never sounded so forceful, and her songwriting, in the context of a divided America, transmits a sense of solidarity and hope throughout. Produced by Will Kimbrough, the opener Clotilda’s On Fire tells the story of America’s last slave ship, over fearsome guitar-playing by Jason Isbell; the closer Love Song sees daughter pay affectionate tribute to her father Johnny Copeland on his Texas blues. Walk Until I Ride, an impassioned BLM protest in the style of The Staple Singers and the thoughtful title track – a soulful folk address with mandolin, dobro and Hammond B3 – provide more highlights on this career best.
For some, 40-year-old vocalist Shemekia Copeland might seem out of step with a generation more in tune with hip-hop than the blues. But since her first Grammy nomination at the age of 21, Copeland has been working to push the blues into the 21st century while still respecting its traditions. Tom Casciato recently spoke with Copeland about her past, her music and how she’s out to change the world.
Watch Shemekia’s full interview on PBS News Hour Weekend, by Emmy award-winning director, writer, producer and television executive Tom Casciato. It aired this Sunday, January 26.
You can also read the full transcript..
Shemekia Copeland is the greatest female blues vocalist working today.
– The Chicago Tribune
Award-winning blues, soul and Americana vocalist Shemekia Copeland will be featured on the nationally televised program PBS NewsHour Weekend on Sunday, January 26, 2020. Copeland, a three-time Grammy nominee, brings her wide-open vision of contemporary American roots music to every song she sings.
PBS NewsHour Weekend’s Tom Casciato says he considers Copeland “a great vocalist.” During the eight-minute segment, Copeland tells Casciato, among other things, about getting in trouble as a child at school for singing the Koko Taylor song I’m A Woman. Many of Copeland’s songs – from classics like Ghetto Child to more recent anthems like Ain’t Got Time For Hate– will be heard during the piece.
The show will air late Sunday afternoon but at various times in different markets. Local PBS stations can be found here. Please note that depending on current events, scheduling may change.
The segment will be available to stream in full at the PBS NewsHour Weekend website beginning on January 26.
Copeland recently received two 2020 Blues Music Award nominations. She won two Blues Music Awards in 2019, including Album Of The Year for her groundbreaking album, America’s Child. Copeland is currently working on her next as-yet-untitled album, due out later in 2020. She can be heard daily hosting her own blues radio show on SiriusXM’s Bluesville.
When she first burst on the scene at age 18 in 1998 with her groundbreaking Alligator Records debut CD, Turn The Heat Up, Copeland quickly became a blues and R&B force to be reckoned with. News outlets from The New York Times to CNN praised Copeland’s talent, larger-than-life personality, and true star power. With each subsequent release, Copeland’s music has continued to grow, reaching a larger and larger audience. In 2018, influential tastemaker UK music magazine MOJO named America’s Child the #1 blues album of the year.
Copeland has performed thousands of gigs at clubs, festivals and concert halls all over the world and has appeared on national television, NPR, and in newspapers, films and magazines. She’s sung with Eric Clapton, Bonnie Raitt, Keith Richards, Carlos Santana, James Cotton and many others. She opened for The Rolling Stones and entertained U.S. troops in Iraq and Kuwait. Jeff Beck calls her “amazing.” Santana says, “She’s incandescent…a diamond.” In 2012, she performed with B.B. King, Mick Jagger, Buddy Guy, Trombone Shorty, Gary Clark, Jr. and others at the White House for President and Mrs. Obama.
NPR Music says, “She brings a perfect balance of authority and understatement to each song.” No Depression adds, “When Shemekia Copeland opens her mouth, everybody pays attention. She pierces your soul. This is how you do it, and nobody does it better than Shemekia Copeland.”